
Reflections RSPB Blean Woods (2017) photo

Reflections RSPB Blean Woods (2017) photo
This work, Fish on the sea floor, was made using mixed paper – cartridge, newspaper, tissue and coloured paper – as well as string, acrylic paint and charcoal.

Fish on the sea floor (2017) mixed media on paper
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Giraffe, no giraffe (2016) mixed media on paper
Giraffe, no giraffe is a frottage followed by collage using marbled paper & tracing paper.
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This work, Turtle on the sea floor, was built up in layers, firstly I created an acrylic painting and then I applied an image transfer on top that was printed on a transparency film using an inkjet printer.

Turtle on the sea floor (2016) mixed media on paper
These two works both include frottage, rubbings taken with graphite, including a Virginia creeper leaf and wood, to help depict abstract Autumn images.

Hidden landscape (2016) mixed media on paper

Autumn leaf (2016) graphite on paper
I’ve worked again on my oil painting inspired by a chilly, winter visit to the Thames Estuary where it widens near Gillingham, Kent.

Thames Estuary (2016) oil on canvas, 50cm x 50cm
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A winter surfer, surrounded by ice-covered rocks, looking at the sea off the coast of Iceland features in this oil painting.

Winter surfer (2016) oil on paper, 50.8cm x 40.6cm
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The Up, into the tree painting (2015, charcoal and oil on canvas) was created in stages – starting with a photograph of an ancient sweet chestnut tree in Greenwich Park, London – this clip shows the journey:
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Inspired by looking up, into and through an ancient sweet chestnut tree in Greenwich Park, London.
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